Ex-Display Sofa No.3
Ex-display pieces may show signs of wear but are generally in very good condition - we're simply refreshing our showroom display.
This piece is available to view at our showroom and is ready for immediate delivery.
Upholstered in: Kvadrat Sachoo Clay | 0016
Condition: Like New - no imperfections
Originally produced in 1988 as SCP’s first upholstery piece, the Sofa No.3 by Jasper Morrison has been relaunched using natural and sustainable materials to celebrate our 40th Anniversary.///Description
Developing and launching a sofa in 1988 was a whole new direction for SCP. Morrison had created a number of versions of the design, including a chaise longue, and iterations with no back at all. SCP produced the most formal version: Sofa No.3, which had two armrests, a back and straight feet on all corners.
Sofa No.3 is an early example of Morrison’s eye for detail and his gift for creating pleasingly simple forms. The final version of the design is remarkably close to his early sketches, which accentuate the gentle curve of the seat, and the importance of the shape of the two removable cushions.
Product Information
Product Information
Shipping & Returns
Shipping & Returns
Description
Ex-display pieces may show signs of wear but are generally in very good condition - we're simply refreshing our showroom display.
This piece is available to view at our showroom and is ready for immediate delivery.
Upholstered in: Kvadrat Sachoo Clay | 0016
Condition: Like New - no imperfections
Originally produced in 1988 as SCP’s first upholstery piece, the Sofa No.3 by Jasper Morrison has been relaunched using natural and sustainable materials to celebrate our 40th Anniversary.///Description
Developing and launching a sofa in 1988 was a whole new direction for SCP. Morrison had created a number of versions of the design, including a chaise longue, and iterations with no back at all. SCP produced the most formal version: Sofa No.3, which had two armrests, a back and straight feet on all corners.
Sofa No.3 is an early example of Morrison’s eye for detail and his gift for creating pleasingly simple forms. The final version of the design is remarkably close to his early sketches, which accentuate the gentle curve of the seat, and the importance of the shape of the two removable cushions.
